A Good Read: Kiss the Paper With It
We should all know about Donald Barthelme’s use of the cut-up technique in his postmodern adaptation of the classic fairy tale “Snow White.”
“Informal statements the difficulties of owner-
ship and customs surprises you by being Love
exchanges paint it understanding brown
boys without a penny I was bandit head-
gear And the question of yesterday wait-
ing members clinging clear milk of
wanting fever hidden melted constabu-
lary extra innings of danger hides under
the leg résumé clip chrome method decision
of the sacred Rota muscular dream basket
gesture Kiss the paper with it tufts more
interesting than children painful texture of inter-
esting children offensive candor lesion hang-
ing mirror They only want window boxes
moving with clean, careful shrubs Manner in
which the penetration was Excited groans stifled
under blankets upset A parliament of less-
favored glass doors closed extra”
(Pg. 109, Snow White, Scribner Paperback Fiction, New York, 1965)
With all its television commercialese, this passage from Barthelme’s Snow White reads like the transcript of someone’s channel-surfing. Here as elsewhere, Barthelme shucks story in favor of the beauty of the words-on-the-page; he’s composing in the vein of pictography—painting the portrait via montage. Where did Barthelme harvest these clippings? One guess is as good as another; if the newspaper, he’s following in the footsteps of Tristan Tzara. But perhaps Barthelme is recycling bits of stories, cannibalizing his own work. Fragmented images flash like projected still frames, instances that hint at much more. For example, positioning “Manner in / which the penetration was” next to “Excited groans stifled / under” next to “blankets upset” inevitably creates an image and invites us to see what isn’t entirely present.
—Fabrizio Ciccone
Want to comment on this piece? Send a Letter to the Editors.









